A classic is a novel that is timeless, both in its themes and characters. It must be read by a universal audience, and be plausible. Journalist Kerry Lengel uses Harry Potter as an example and points out, “popularity alone doesn't make a classic, but like the Beatles and Star Wars, Harry has inspired not just the love of the masses but approval from the critical establishment.” (‘Harry Potter: Destined to be a classic?’ Rebecker) M. Katherine Grimes, a scholar at Ferrum College, thinks, "a classic will reflect its time and place and still speak to people outside of that time and place." (New York Times, Hart) The Scarlet Letter has done exactly that for many people over many years. Time is one of the most important tests of a classic novel in terms of themes, characters and plausibility; it is a test that must be passed to be a classic.
The Scarlet Letter by Nathanial Hawthorne is a classic novel. Both the themes and the characters are timeless, which is necessary to have a novel's popularity carry over from one generation to the next many times over. The familiar themes found in the Scarlet Letter include adultery and guilt, and revenge. The characters are unique enough to be remembered, but still entirely relatable. Chillingworth, for example, is just an ordinary man, but because of Hester’s unfaithfulness he is struck with jealousy and anger, and seeks revenge on Dimmesdale. The sneaky way he goes about punishing him makes the ordinary character that he is deeper and more interesting. In another scene of the Scarlet Letter, Hester has to deal with the judgments and attitudes of her townspeople. At one point some ‘autumnal matrons’ are discussing punishments that they believe should have been given to Hester, “at the very least they should have put a brand of hot iron on her forehead.”(64) Although harsh, the disapproval and anger at Hester is evident, and that is understandable for readers. Every situation throughout the novel is a complex one, but the way these ordinarily seeming characters deal with them is what makes it interesting. A classic novel must have themes and characters in it that feel real no matter what time period it is.
Adultery is a worldly misdemeanor that has been around for as long as marriage. It is foreseeable that it will remain an occurrence for years to come. This main theme helps to make the Scarlet Letter a classic; it will always be universally relatable. The adultery in this novel leads to Hester being shunned, and Dimmesdale (unnamed to the townspeople) continuing his life in a position of leadership and influence in the community. He does, however, feel very guilty, and knows that “if a man wears one mask in public, and another in private, he will soon forget which one is real” (138). This situation also leads to revenge on the guilty party, which ends in a tragedy of sorts. Adultery is the main theme in this novel; everything that happens from beginning to end is happens because of or is directly affected by Hester Prynne's wrongdoings.
Not only must a classic novel be decently old, it must be universal. The themes and characters must be relatable and comprehensible no matter which country you go to, even if the language must be changed. The Scarlet Letter accomplishes the worldly aspect that it requires to be a classic. The main dilemmas in the novel can, and do, occur everywhere in the world, and the characters are easy to relate to. Hester’s ‘dilemma’ of being shunned, for example, and Dimmesdale having to lie for seven years and pretend to be someone he’s not are both plausible situations. As the preface of the novel states, the Scarlet Letter “remains relevant for its philosophical and psychological depth, and continues to be read as a classic tale on a universal theme.” The philosophical depth comes from the sins committed, and the cleansing redemption of them. The whole novel revolves around the triangle of Hester, Dimmesdale, and Chillingworth, which creates the psychological depth through lies and secrets.
This classic is not only universal in its themes and general comprehensibility; it is universal in its common understandings. The scarlet letter itself demonstrates the generally accepted fact that there is more than one way to view things. The letter represents a wrongdoing in Hester’s first years of wearing it, but it eventually comes to represent her independence and strength; along with her loneliness and isolation, which, “in all her intercourse with society, however, there was nothing to make her feel as if she belonged to it. Every gesture, every word, and even the silence of those she with whom she came in contact, implied, and often expressed, that she was banished…”(136) Every ‘subheading’ or underlying theme is completely relatable by a universal audience, and that adds to the reasons of why the Scarlet Letter is a classic.
Along with being all of the things previously mentioned, a classic novel must be plausible. Under the rather general heading of ‘plausibility’ there are subheadings that include ‘relatable,’ ‘credible,’ and ‘trustworthy.’ Once again, the Scarlet Letter meets the criteria. The themes and characters are worldly and both posses all familiar attributes.
In conclusion, the Scarlet Letter is most definitely a classic novel. It fits the criteria of being timeless, universal, and plausible, both in its themes and characters. It has gone down in history as a novel to be read, and will continue to stay there for many more years.